Jan Miller
Consultant, Co-Founder
Jan Miller is an international consultant and trainer specializing in film and television co-production and co-venturing
She also continues to present one of the world’s top pitching and content development workshops.
In Canada, her unique brand of training has been presented across the country from TIFF and the Academy to Yellowknife and Newfoundland for major festivals and film coops.
Globally her workshops have been featured at Berlin’s Talent Campus, Cuba’s Escuela Internacional de Cine y TV, Poland’s ScripTeast, Cannes, China and Iran. In great demand, Jan’s workshops have also crossed sectors into the music industry where, for almost a decade, she has been offering, through the East Coast Music Association, export-ready training for musicians to present their work to the screen industry and travel internationally.
A talent that makes things happen, Jan collaborated 11 years ago with the Erich Pommer Institut to design the hugely successful Trans Atlantic Partners (TAP), a unique two-module international training program for established film and TV producers. Jan is director of the TAP initiative.
Jan has also served as an international consultant for many organizations including Creative BC and the Canadian Media Producers Association (CMPA), leading and supporting Canadian delegations to Hong Kong’s FILMART, Rio Content Market and Berlin. She launched and served as director of Halifax’s Strategic Partners, one of the world’s pre-eminent international co-production markets for 15 years.
Jan was one of the driving forces behind setting up Canada’s first film school, the National Screen Institute, serving as executive director for seven years introducing NSI Features First and the Local Heroes International Screen Festival which she ran for 13 years.
From 1999 to 2001, Jan was vice-president of development for imX Communications, responsible for moving forward numerous features, television and animation projects including her role as associate producer for Lynn Johnson’s acclaimed comic-book strip, For Better or For Worse.
Committed to supporting women working in the industry, Jan established Women in Film and Television-Atlantic (WIFT-AT), serving as the founding chair for six years. During this time Jan launched the annual Women Making Waves Conference, WAVE Awards, Shadow Project for Atlantic women directors and the first collaboration with the Centre for Women in Business, designing the screen version of its Advanced Management and Mentoring Program. Jan continues as a mentor and Women Making Waves program chair for WIFT-AT.
Jan has also been very active in presenting two versions of Five in Focus training opportunities for Women in View. Jan presently serves on the Women in View board and recently completed a term on the AFC board.
Amy Reitsma
Program Manager
Amy Reitsma is an actor by trade who cares deeply about the film and television arts.
She has worked as a professional actor for 18 years, and honed her craft working in the film, television, theatre and radio industries in Nova Scotia before moving to the UK to further her education. She gained her masters of acting from the prestigious Bristol Old Vic Theatre School, and then lived and worked in London for seven years. She returned home in August 2020 to build her family and reconnect with the industry and people in the Atlantic provinces, which she missed.
Before leaving for the UK, in addition to her acting work (as any actor will attest), she did many things. She served as co-director of two theatre companies in Halifax. She spent two wild festival seasons working for the Atlantic Film Festival as volunteer coordinator, and also worked in a law firm as a legal assistant. While living abroad, she worked as a drama teacher for inner city youth, and served on the board of American Actors UK where she instigated and ran bi-weekly script readings, mixers and professional development workshops.
Amy also recently ran for the provincial NDP in the Chester-St Margaret’s riding in the August 2021 election. Although she did not win, the campaign was watched closely by the media and the other parties. The feeling of getting her hands dirty in the pursuit for positive change is something close to Amy’s heart, and she is honoured to be connected with the National Screen Institute at this time. She is very excited to be managing a program designed to help women and underrepresented groups develop skills which will move more film projects forward in this region.